Animalscaretips
- Does the most dangerous game have imagery?
- How is Rainsford like an animal?
- How does the author use imagery in the most dangerous game?
- What are some examples of metaphors in The Most Dangerous Game?
- What are some examples of figurative language in The Most Dangerous Game?
- What is an example of indirect characterization in The Most Dangerous Game?
- Why does Rainsford say he had never slept in a better bed?
- What was Zaroff's new animal?
- Does Rainsford feel bad for the animals?
- How does imagery create suspense in the most dangerous game?
- What are some examples of onomatopoeia in the most dangerous game?
- What imagery is used by the author in describing general Zaroff?
Does the most dangerous game have imagery?
Connell uses imagery to show the reader how intense and fearful Rainsford feels in the story.
How is Rainsford like an animal?
While Rainsford is being hunted by the general, he experiences the same horror and fear that animals feel while they are being hunted. ... Rainsford's comment is significant and reveals that his philosophy on hunting has changed. He now sympathizes with the animals he hunts after experiencing what it is like to be prey.
How does the author use imagery in the most dangerous game?
The author uses imagery in “The Most Dangerous Game” to build suspense when General Zaroff finds Rainsford hiding in the tree. He mentions that, “Rainsford held his breath.
What are some examples of metaphors in The Most Dangerous Game?
For instance, when Rainsford falls off the boat and surfaces, he watches as the boat recedes into the night: “The lights of the yacht became faint and ever-vanishing fireflies.” And as he swims to shore, Rainsford hears “the muttering and growling of the sea” crashing on land.
What are some examples of figurative language in The Most Dangerous Game?
Some examples of this are: 'The sea licked greedy lips in the shadows,' and, in combination with a simile, 'Giant rocks with razor edges crouch like a sea monster with wide-open jaws.
What is an example of indirect characterization in The Most Dangerous Game?
Richard Connell uses indirect characterization in “The Most Dangerous Game” when Rainsford is first confronted with Ivan, who looks “as if the giant were a statue” and giving “no sign that he understood Rainsford's words.” These descriptions are the first clues that Ivan is deaf and mute, characteristics that play an ...
Why does Rainsford say he had never slept in a better bed?
“I am still a beast at bay,” he said, in a low, hoarse voice. Get ready, General Zaroff” (57). At the end of the story, Rainsford “had never slept in a better bed” (57), indicating that he is at peace with having killed Zaroff.
What was Zaroff's new animal?
In short, the new animal that General Zaroff decided to hunt is man. The more important question is why Zaroff created this "new animal." When Rainsford met Zaroff, Zaroff seemed to be a sophisticated and generous host, even if a few things about him seemed odd. As Rainsford got to...
Does Rainsford feel bad for the animals?
Expert Answers
Jonathan Beutlich, M.A. At the beginning of the story, Rainsford's attitude is fairly cold toward the animals that he hunts. Rainsford loves hunting, and he feels no sympathy for the animals that he hunts and kills.
How does imagery create suspense in the most dangerous game?
Not only can imagery create suspense, but it can help create the mood. Rainsford escapes Zaroff's attack by plunging himself into the ocean. When Zaroff arrives at the cliff-side, the mood changes, and the reader is left with this image: ''When the general and his pack reached the place by the sea, the Cossack stopped.
What are some examples of onomatopoeia in the most dangerous game?
Richard Connell utilizes several onomatopoeias in his classic short story "The Most Dangerous Game." The words "swish" and "ripple" are examples of onomatopoeias because they imitate the natural sound of the yacht's propeller moving through the water.
What imagery is used by the author in describing general Zaroff?
He had high cheekbones, a sharpcut nose, a spare, dark face--the face of a man used to giving orders, the face of an aristocrat. Notice how Connell describes Zaroff's eyebrows and mustache. He uses a great simile that tells us that those features were as black as the night.
